Nell Robinson & Jim Nunally Band @ The Back Room | Grateful Web

Nell Robinson & Jim Nunally Band @ The Back Room

Article Contributed by Tanya Pinkerton

Published on April 6, 2016

Nell Robinson & Jim Nunally Band @ The Back Room

Nell Robinson & Jim Nunally Band @ The Back Room

<p>In numerology, 5 is symbolic of dynamic change and energy. The newly formed&nbsp;<a href=”http://nellrobinsonmusic.com”><strong>Nell Robinson</strong></a> and <a href=”http://www.jimnunally.com”><strong>Jim Nunally Band</strong></a>&nbsp;can&nbsp;certainly attest to that! On&nbsp;<strong>Saturday, April 30th&nbsp;</strong>at&nbsp;<strong>7:00 p.m.</strong>, the NRJN Band will release their new&nbsp;5 for $5 advance promo album, celebrate Nell&nbsp;Robinson’s 55th Birthday in a newly opened venue, <a href=”http://backroommusic.com”><strong>The Back Room </strong></a>and that all adds up to MAGIC!</p>
<p> This band brings five genre-busting artists together to bring joyful music infused with folk, bluegrass, americana, roots, swing, jazz, and the blues.&nbsp;Alt-Roots, Folkbilly, whatever you call it…it’s original! Featuring <strong>Pete Grant</strong> on pedal steel, <strong>Jim Kerwin</strong> on bass fiddle and <strong>Jon Arkin</strong> on percussion.&nbsp;This is truly an all-star band.</p>
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Location: The Back Room<br />
Address: 1984 Bonita, Berkeley CA 94704<br />
Date: Saturday, April 30, 2016<br />
Showtime: <span data-term=”goog_670252413″ tabindex=”0″>7:00 p.m.</span><br />
Tickets: $15.00-Advance $20.00-Door &nbsp;<br />
Reservations:&nbsp;<a href=”http://mailto:nell@nellrobinsonmusic.com” target=”_blank”>nell@<wbr />nellrobinsonmusic.com</a>&nbsp;Must arrive by <span data-term=”goog_670252414″ tabindex=”0″>6:40 p.m.</span> to pick up reserved tix. Seating is limited at this lovely new venue.<br />
Website:<a href=”http://backroommusic.com” target=”_blank”>&nbsp;http://backroommusic.<wbr />com</a><br />
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<strong>About The Back Room &nbsp;<br />
The Back Room</strong>&nbsp;is a newly opened music venue (mid-April) in downtown Berkeley, that recreates the cozy ambience of the original Freight &amp;&nbsp;Salvage. Brick walls, a high vaulted wooden ceiling, and a Steinway grand on stage all contribute to an intimate performing space. Comfortably&nbsp;seating about 100 people The Back Room provides great acoustics that will showcase musicians with respect and appreciation. The venue welcomes&nbsp;all acoustically based genres, including jazz, blues, folk, bluegrass, Americana, and more. It is an all-ages venue.</p>
<p> <strong>Band Bios:<br />
Nell Robinson</strong>&nbsp;has been described as a “modern day Patsy Cline” and “one of the freshest voices in roots music.” Her side-projects, from the&nbsp;poignancy of Soldier Stories to the whimsy of The Henriettas, further attest to the breadth and ambition of the youthful musical passions she let&nbsp;flower. &nbsp;Robinson’s 2014 release “The Rose of No-Man’s Land became a PBS Special with it’s own episode in the Music Gone Public series. &nbsp;The&nbsp;album, produced by Joe Henry, featured Ramblin’ Jack Elliott, Kris Kristofferson, John Doe and Maxine Hong Kingston. “Music is the ultimate&nbsp;communication tool and Nell’s songs, performance and album moved the WoodSongs audience deeply! A fine person and a fine artist, ’nuff said.”-&nbsp;Michael Johnathon, Woodsongs Old-Time Radio Hour.</p>
<p> <strong>Jim Nunally</strong>&nbsp;is a San Francisco Bay Area-native, a musician, composer, record producer, and teacher. As a guitarist and vocalist with the David&nbsp;Grisman Bluegrass Experience for over 13 years, Jim joins master American guitarists Doc Watson and Tony Rice as one of the finest interpreters&nbsp;and performers of bluegrass and traditional music. He is a recipient of two Grammy and IBMA Awards and is a two-time Western Open Flatpicking&nbsp;Guitar champion. His work is featured on soundtracks for The Beverly Hillbillies Movie, Snoopy’s Reunion, The Sims, Streets of SimCity and more.&nbsp;His third-generation traditional music roots began in Arkansas with his guitar-playing grandfather who taught Jim’s father, who in turn taught Jim.&nbsp;This pedigree contributes to his unmistakably traditional sound.</p>
<p> <strong>Pete Grant</strong>’s resume looks like a who’s who of music! He started playing banjo, guitar, and dobro in the early sixties in the San Francisco Bay Area.&nbsp;Sharing musical adventures with his friends Jerry Garcia, Jorma Kaukonen, Pat Simmons, and others, he has performed solo, in duos, and his own&nbsp;groups. The Grateful Dead album Aoxomoxoa was his first studio recording, from there he went on to become one of the most sought after steel&nbsp;players on the West Coast. Touring in Japan with Guy Clark, he played on Clark’s second release, Texas Cookin’. Grant is a two-time nominee for&nbsp;Best Steel Guitarist by the Academy of Country Music.</p>
<p> <strong>Jim Kerwin</strong>&nbsp;is considered simply one of the best string bass players in the country. He has played with David Grisman for over 30 years and is&nbsp;featured on all of Grisman’s Jerry Garcia recordings, all of which boast a unique acoustic setting, encompassing a myriad of musical genres. A San&nbsp;Francisco State University graduate with a performance degree in solo double bass, he spent several years touring Europe with an avant-garde jazz&nbsp;trio led by vibist Larry Blackshere. He has performed with bluegrass greats Red Allen and Del McCoury and has played at Carnegie Hall with&nbsp;Stephane Grappelli and YoYo Ma. Kerwin is featured on numerous recordings – including six Grammy nominees – from big band and bluegrass to&nbsp;jazz and latin.</p>
<p> <strong>Jon Arkin</strong>&nbsp;is a versatile, gifted drummer/percussionist who is known for his performances &amp; recorded work in a wide variety of musical contexts. In&nbsp;addition to leading his own groups, he has performed with jazz greats such as Lee Konitz, Gene Perla, and Ira Sullivan, with singer-songwriters&nbsp;including Stew and Meklit Hadero, Afrobeat bands Albino and Soji Odukogbe, a multitude of collaborators in the experimental music world, and&nbsp;countless other artists. He has just released an album of original experimental jazz with the Schimscheimer Family Trio entitled “Broken Home”, and&nbsp;has developed a unique repertoire as a solo electro-acoustic percussionist. Could his bluegrass groove have come from his father? Steve Arkin played&nbsp;banjo with Bill Monroe and His Bluegrass Boys!</p>

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