William Elliott Whitmore is a singer-songwriter/banjoist/guitarist/drum-stompin’ solo act from Lee County, Iowa. He has released six full-length albums that seamlessly meld country, blues, folk, and punk styles – spanning from 2003’s Hymns for the Hopeless (Southern Records) to 2015’s Radium Death (ANTI-). His songs are haunting, rustic, powerful, and real – byproducts of living his entire life on the family farm and being involved in the hardcore-punk scene in the local community. His seventh album Kilonova (2018) is different from everything else in his catalog.
 
Whitmore’s first long-form release on Bloodshot Records is a collection of 10 cover songs from artists who have influenced his 15 plus-year career. Each of the tunes offers a glimpse into how his attitude and aesthetic were formed, like a series of tattoos, scars, or other time-accumulated personal markings.

Kilonova takes on a variety of musical heroes, both obvious and not, both well-known and not, in a range of sonic forms. In the stark a capella take on Dock Boggs’ 1920s old-timey hit “Country Blues” you can hear WEW at the pulpit, evangelizing the truth to his believers. The classic Harlan Howard country number “Busted” is updated with a swampy, bluesy version revealing a modern sort of despair and necessary perseverance. For those who find a similarity between Whitmore’s voice to that of Captain Beefheart or Tom Waits, his equally erratic, demented and raspy-baritoned cover of the former’s “Bat Chain Puller” is the perfect medicine.